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Song's Of Thomas Hardy's Wessex
レーベル
:
Saydisc
規格品番
:
CDSDL410
フォーマット
:
CD
バーコード
:
5013133441027
国
:
インターナショナル - International
発売日
:
2009年1月31日
収録内容
CD
1
The Foggy Dew (The Woodlanders and The Return of the Native)
2
Jockey to the Fair / Dame Durden (Far From the Madding Crowd)
3
The Mistletoe Bough (A Laodicean)
4
The Cupid's Garden (The Return of the Native and Tess of the D'Urbervilles)
5
Queen Eleanor's Confession (The Return of the Native)
6
The Spotted Cow (The Woodlanders and Tess of the D'Urbervilles)
7
The Seeds of Love (Far From the Madding Crowd)
8
The Barley Mow (The Return of the Native)
9
The Prentice Boy (Tess of the D'Urbervilles)
10
The I Have Parks, I Have Hounds (Tess of the D'Urbervilles)
11
Break o'the Day (Tess of the D'Urbervilles)
12
The Sheepshearing Song (Under the Greenwood Tree)
13
The Tailor's Breeches (Tess of the D'Urbervilles and A Few Crusted Characters)
14
The Downhills of Life (Far From the Madding Crowd)
15
The I Wish, I Wish (The Woodlanders)
16
Joan's Ale (Desperate Remedies)
17
The Outlandish Knight (proposed dramatisation of Tess of the D'Urbervilles)
18
The Such a Beauty I Did Grow (Tess of the D'Urbervilles)
19
The Banks of Allan Water (Far From the Madding Crowd)
20
King Arthur Had Three Sons (Under the Greenwood Tree)
21
The Light of the Moon (The Dynasts)
クレジット
リリース概要
Songs of Thomas Hardy's Wessex
This is a comprehensive collection of the songs of Hardy's Wessex characters.
The versions of the songs are from sources as close as possible in time and place to Hardy's homeland, many coming from the folk-song collector H.E.D. Hammond, who collected traditional songs in Dorset in the early years of this century, frequently from people of Hardy's generation. As far as possible, a single source has been used for each song, collating other versions only when the source is incomplete or to incorporate the words as Hardy quotes them.
The songs omitted are the Irish and Scottish songs, one or two literary and art-music pieces which were never part of a singing tradition, military songs, and untraceable fragments. With a few exceptions, Hardy's characters sing unaccompanied, as is usual with traditional English singers. Varying degrees of accompaniment are used here, reflecting the musical culture Hardy knew as a boy and often writes about. Fiddle and cello were his family's instruments, and his characters also play flutes and oboes, whilst he himself played some sort of concertina or accordion when very young. The vox humana was the English version of the baroque tenor oboe, created and sold primarily for use in Church bands and also used in military wind bands. The instrument heard on this album was made by DonaldS.
Gill in 1994 and is a replica of an instrument by Thomas Collier of London, c. 1770, now in the Edinburgh University Collection.
Dave Townsend, 1994
(アルバムのライナー解説より抜粋)
This is a comprehensive collection of the songs of Hardy's Wessex characters.
The versions of the songs are from sources as close as possible in time and place to Hardy's homeland, many coming from the folk-song collector H.E.D. Hammond, who collected traditional songs in Dorset in the early years of this century, frequently from people of Hardy's generation. As far as possible, a single source has been used for each song, collating other versions only when the source is incomplete or to incorporate the words as Hardy quotes them.
The songs omitted are the Irish and Scottish songs, one or two literary and art-music pieces which were never part of a singing tradition, military songs, and untraceable fragments. With a few exceptions, Hardy's characters sing unaccompanied, as is usual with traditional English singers. Varying degrees of accompaniment are used here, reflecting the musical culture Hardy knew as a boy and often writes about. Fiddle and cello were his family's instruments, and his characters also play flutes and oboes, whilst he himself played some sort of concertina or accordion when very young. The vox humana was the English version of the baroque tenor oboe, created and sold primarily for use in Church bands and also used in military wind bands. The instrument heard on this album was made by DonaldS.
Gill in 1994 and is a replica of an instrument by Thomas Collier of London, c. 1770, now in the Edinburgh University Collection.
Dave Townsend, 1994
(アルバムのライナー解説より抜粋)
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